On Wednesday the Justices heard arguments in the last two scheduled cases of the term. Between now and the end of June they will take the bench only to announce opinions, and possibly for the ceremonial investiture of Justice Gorsuch.
The first argument, Sandoz v. Amgen, an exceedingly complex case on a provision of the Affordable Care Act that covers biosimilar drugs.
The second argument, Maslenjak v. U.S., raised concerns, especially for Chief Justice Roberts, about prosecutorial overreach. The case involves a naturalized citizen who lied on her application and was therefore stripped of her citizenship.
“Some time ago,” Roberts asked the government’s lawyer, “outside the statute of limitations, I drove 60 miles per hour in a 55-miles-per-hour zone. I was not arrested.” “Now you say that if I answered that question no, 20 years after I was naturalized as a citizen, you can knock on my door and say, guess what, you’re not an American citizen after all.”
Courtroom sketching is a form of visual journalism or reportage drawing that is slowly dying out. Where once upon a time news organization each had their own artist covering a story, today a “pool” artist often sketches for all. It is a demanding and stressful discipline where the drawing is often done directly and under tight deadline.
After forty-five years of news sketching in courtrooms and congress I’m calling it quits. It’s been sometimes fun, sometimes frustrating, almost always interesting. I’ve been lucky to work with some really great people. Don’t think I’ll miss it, but a little scared of not having a deadline.
While I won’t be sketching in court anymore, I may continue to post to this blog from time to time. Not sure what that might be. I’m about to start a new assignment documenting infrastructure and construction. Could be interesting.
