Boston Marathon Bomber Back In Court

The last time Dzhokhar Tsarnaev appeared in court, at his arraignment in July 2013, he looked and sounded quite different. He was wearing a bright orange jumpsuit, his left hand was bandaged and his face swollen from injuries he suffered during the manhunt that followed the Boston Marathon bombing. He spoke with a Russian accent and displayed a certain arrogance or swagger, at least it appeared that way to me. Yesterday was a different story. He was dressed in a dark zip-up sweater, shirt and belted chinos. He seemed quietly interested in what was happening, speaking softly to the judge when questioned. The Russian accent was gone even though an interpreter was present just in case.

All signs point to the trial beginning with jury selection on January 5, as scheduled, though the defense is still asking for a delay. It’s sure to be a long and emotional trial.

I sketched the scene outside the courtroom before the doors opened. There was a tall woman in a long fur coat who talked incessantly with whoever would listen to her. I didn’t pay attention to what she was saying. But later, at the conclusion of the hearing as Tsarnaev was being led from the courtroom, this same woman started shouting in Russian.

It turns out she is the mother-in-law of Ibragim Todashev, who was killed by the FBI under very odd circumstances. At one time Todashev was, along with Dzhokhar’s brother Tamerlan, a suspect in a bizarre murder in the Boston suburb of Waltham. There’s a lot to the story that has yet to be explained.

Art Lien
About

Courtartist is me, Art Lien. I've been sketching the courts since 1976, and for most of that time the U.S. Supreme Court has been my regular beat. I've been working almost exclusively for NBC News since 1980. Courtroom sketching is a form of visual journalism or reportage drawing that is slowly dying out. Where once upon a time news organization each had their own artist covering a story, today a "pool" artist often sketches for all. It is a demanding and stressful discipline where the drawing is often done directly and under tight deadline.

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