Supreme Court Revisits Affirmative Action

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Nine years after deciding that race, though not quotas, could be considered in college admissions a new, somewhat more conservative Supreme Court is reconsidering affirmative action. The case against the University of Texas was brought by Abigail Fisher, a Texas high school student who says she was denied admission because of her race.

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The first question for Fisher’s attorney, Bert W. Rein, came from Justice Ginsburg, who along with Justices Breyer and Sotomayor, is expected to uphold the Court’s earlier position on affirmative action in college admissions. Justice Kagan, whose empty chair can be seen on the right, is not taking part in the case.

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The more conservative members of the Court, who had been mostly silent during Rein’s argument, sprang into active questioning as Gregory Garre took the lectern to defend the university’s program.

Justice Alito, a foe of affirmative action plans who replaced Justice O’Connor, the author of the Court’s earlier opinon in Grutter v. Bollinger, asked Garre, “I thought that the whole purpose of affirmative action was to help students …from underpriviledged backgrounds, …”
6a00d8341cd0df53ef017d3ca40770970c-800wi“But you say …it doesn’t admit enough African Americans and Hispanics …from priviledged backgrounds.”

Replied Garre, “Because, Your Honor, our point is that we want minorities from different backgrounds”

6a00d8341cd0df53ef017ee41951e2970d-piJustice Kennedy, as usual the swing vote on which the case hinges, said, “So what you’re saying is that what counts is race above all.”

The term “critical mass”, refering to the proportion of minorities in the student body, was bandied back and forth with both Garre and Solicitor General Verrilli trying to avoid making it sound like a number.

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Justice Scalia to General Verrilli, “So we should stop calling it mass.”

Verrilli, “I agree.”

Scalia, “Call it a cloud or something like that.”

 

SCOTUSblog’s Amy Howe has the Plain English summary here.

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Courtartist is me, Art Lien. I've been sketching the courts since 1976, and for most of that time the U.S. Supreme Court has been my regular beat. I've been working almost exclusively for NBC News since 1980. Courtroom sketching is a form of visual journalism or reportage drawing that is slowly dying out. Where once upon a time news organization each had their own artist covering a story, today a "pool" artist often sketches for all. It is a demanding and stressful discipline where the drawing is often done directly and under tight deadline.

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